It’s considered by many to be the finest work on the subject of soccer tactics. Many would consider this list woefully incomplete without a mention of this voluminous tome. See more reviews and buying options Inverting the Pyramid by Jonathan Wilson A great read for those who’ve marveled at some of the Premier League’s more exciting players over recent years and are interested in getting a better overall understanding of their contributions to one of the world’s greatest leagues. The book covers some of the business side of the game that fueled many of these changes, but for the most part focuses on the tactics. The game we watch today on NBCSN or Sky is practically unrecognizable from what you’d have seen around the league’s inception in 1992.Ĭox’s well-researched and interesting book takes you from the days of “route one” football filled with long balls and big bruising forwards to the false nines, skillful defenders, and midfield wizards of today. With the Premier League high atop the popularity charts for professional soccer leagues both in the US and worldwide, this is a great book for understanding its tactical evolution. Our List of the Best Soccer Tactics Books The Mixer by Michael Cox These are our picks for the best tactics books available right now, in no particular order, and no matter whether you read your books in print or electronically or call the game soccer or football. And coaches of all levels are incorporating exciting new ideas and strategies into their game plans.īut in order to gain a deeper understanding of soccer tactics, it’s best to go beyond the blogs that can vary considerably in clarity and quality, and dig into some foundational texts on soccer tactics. Countless blogs have sprung up on the internet breaking down the formations and tactics for all of each week’s top games as well as the more obscure ones. The tactics of the world’s top managers are regularly broken down at a level rarely seen in generations past. In recent years there’s been an explosion of interest in the tactical side of soccer.
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Our guest contributor for this blog is Scott Manchester, Director of Program Management for Windows 365.Ī Platinum-level sponsor of DISRUPT On Tour 2022 End User Computing Forum, Microsoft will showcase the solutions for hybrid work and modern endpoints that can help to avoid costly delays. The film Night of the Living Dead made no spoken reference to its undead antagonists as "zombies", describing them instead as " ghouls" (though ghouls, which derive from Arabic folklore, are demons, not undead). How the creatures in contemporary zombie films came to be called "zombies" is not fully clear. The concept has been popularly associated with the religion of voodoo, but it plays no part in that faith's formal practices. In Haitian folklore, a zombie ( Haitian French: zombi, Haitian Creole: zonbi) is an animated corpse raised by magical means, such as witchcraft. The Oxford English Dictionary gives the origin of the word as Central African and compares it to the Kongo words "nzambi" (god) and "zumbi" (fetish). The English word "zombie" is first recorded in 1819, in a history of Brazil by the poet Robert Southey, in the form of "zombi", actually referring to the Afro-Brazilian rebel leader named Zumbi and the etymology of his name in "nzambi". Notable examples of the latter include movies Warm Bodies and Zombies, novels American Gods by Neil Gaiman, Generation Dead by Daniel Waters, and Bone Song by John Meaney, animated movie Corpse Bride, TV series Pushing Daisies and iZombie, and manga/novel/ anime series Sankarea: Undying Love and Is This a Zombie? In this context, zombies are often seen as stand-ins for discriminated groups struggling for equality, and the human–zombie romantic relationship is interpreted as a metaphor for sexual liberation and taboo breaking (given that zombies are subject to wild desires and free from social conventions). The late 2000s and 2010s saw the humanization and romanticization of the zombie archetype, with the zombies increasingly portrayed as friends and love interests for humans. The " zombie apocalypse" concept, in which the civilized world is brought low by a global zombie infestation, has since become a staple of modern popular art, seen in such media as The Walking Dead franchise. These games were initially followed by a wave of low-budget Asian zombie films such as the zombie comedy Bio Zombie (1998) and action film Versus (2000), and then a new wave of popular Western zombie films in the early 2000s, including films featuring fast-running zombies-such as 28 Days Later (2002), the Resident Evil and House of the Dead films, and the 2004 Dawn of the Dead remake-and the British zombie comedy Shaun of the Dead (2004). After zombie films such as Dawn of the Dead (1978) and Michael Jackson's music video Thriller (1983), the genre waned for some years.Īn evolution of the zombie archetype came with the video games Resident Evil and The House of the Dead in the late 1990s, with their more scientific and action-oriented approach and their introduction of fast-running zombies, leading to a resurgence of zombies in popular culture. The word zombie is not used in Night of the Living Dead, but was applied later by fans. Romero's film Night of the Living Dead (1968), which was partly inspired by Richard Matheson's novel I Am Legend (1954). This interpretation of the zombie is drawn largely from George A. Seabrook's The Magic Island (1929), the account of a narrator who encounters voodoo cults in Haiti and their resurrected thralls.Ī new version of the zombie, distinct from that described in Haitian folklore, emerged in popular culture during the latter half of the 20th century. One of the first books to expose Western culture to the concept of the voodoo zombie was W. A Kimbundu-to-Portuguese dictionary from 1903 defines the related word nzumbi as soul, while a later Kimbundu–Portuguese dictionary defines it as being a "spirit that is supposed to wander the earth to torment the living". Some authors also compare it to the Kongo word vumbi (mvumbi) (ghost, revenant, corpse that still retains the soul), (nvumbi) (body without a soul). The Oxford English Dictionary gives the word's origin as West African and compares it to the Kongo words nzambi (god) and zumbi or nzumbi ( fetish). The English word "zombie" was first recorded in 1819, in a history of Brazil by the poet Robert Southey, in the form of "zombi". Modern media depictions of the reanimation of the dead often do not involve magic but rather science fictional methods such as carriers, radiation, mental diseases, vectors, pathogens, parasites, scientific accidents, etc. The term comes from Haitian folklore, in which a zombie is a dead body reanimated through various methods, most commonly magic like voodoo. Zombies are most commonly found in horror and fantasy genre works. A zombie ( Haitian French: zombi, Haitian Creole: zonbi) is a mythological undead corporeal revenant created through the reanimation of a corpse. Over 50% of spam contains links to web sites whose webserver IPs are listed on the Spamhaus SBL. In addition to checking URI blocklists, URIs can also be checked against the SBL using a feature called URIBL_SBL. It is extremely effective, has a zero-false-positive reputation and can also be used for SMTP header checks. The Spamhaus DBL is an advanced URI blocklist which makes extensive use of Spamhaus technologies to identify domains used in spam in realtime. These domains are what the Spamhaus DBL is designed to find and filter. The vast majority of spam contains links to spammers' web sites and therefore to domains. This stage is done using software capable of rapidly scanning message bodies for Uniform Resource Identifiers (URIs also known as URLs) and testing these against a URI Blocklist such as Spamhaus's Domain Block List (see: DBL). Įmail traffic which gets past the first stage can now be put through more in-depth filters which check message bodies and specifically the domains and IPs of web sites advertised in them. This is also the safe way to handle message filtering, because in the event a legitimate sender is ever blocked in error they are immediately notified, by their own mail server, of the reason why their message could not be delivered as well as what to do and who to contact about it. This is very cost effective - it safely handles more than three quarters of your incoming mail traffic, drastically cutting your incoming mail bandwidth and the size of your subsequent mail queue. Incoming mail from servers listed on Spamhaus's SBL, XBL or PBL (collectively Zen) at this first stage should be rejected at the RCPT TO command, terminating the SMTP transaction before the message body is sent or accepted. False positives with Zen are extremey rare, which is why Zen is used by almost all of the world's major email providers. Zen has a long-held reputation as having a false positive rate so low as to be unmeasurable and insignificant even on the largest mail systems. Zen, which is a combination of Spamhaus's SBL, XBL and PBL blocklists, will identify and reject approximately 85% of a average mail relay's incoming mail traffic. The first stage is to install the Spamhaus Zen blocklist on your incoming mail relay(s). On an average production mail system, this setup can achieve a catch rate of approximately 299 out of every 300 spams (99+%) with zero false positives. Now we can deal with the trickle: The remaining spam that has got past the Spamhaus Zen IP blocklist check at SMTP connect time should then be filtered in a second stage using a Spamhaus blocklist designed for this exact purpose: The Spamhaus Domain Block List (DBL). This one set of very safe Spamhaus DNSBLs alone does the job of reducing your torrent of incoming spam to a trickle. Using only the Spamhaus DNS-based Blocklists SBL, XBL and PBL (collectively known as Zen), internet networks can very safely reject at least 85% of inbound mail traffic outright at SMTP connect time and before your mail servers are burdened with having to process it. You need to look at your mail filtering as a two-stage process, with the fastest and cheapest process in front to reduce the known spam in your incoming mail flow from a torrent to a trickle. This whitepaper sets out how to do it, using existing technology and open-source software such as SpamAssassin. The problem for network executives is how to do this cost-effectively. The problem for mail system administrators is how to filter out the spam while not losing legitimate email, and how to keep mail queues flowing without spam-filter processes impacting performance and slowing the mail queue. About Spamhaus | Official Statements | FAQs | News Blogįor most average Internet Service Providers and networks in North America, Europe or Australasia, today's incoming email traffic consists of approximately 90% spam and 10% normal legitimate wanted email. Standard Tactics: The Ice Climbers will jump around and hit their foe with a hammer.
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